It seems my creativity has taken a long silent absence, in part due to the holidays, but now that they it is over with the year end celebrations, it is time to go back to work.
This is where I left off just before Thanksgiving —
Third 20 x 20 inch unpainted canvas in a new series for 2012
Every artist seeks to define themselves through style and materials employed in their work and I am no different and while the last six years has produced a major body of photographic work being Typography Graveyard, I had been experimenting with different materials for painting. The main material source being modeling paste and paper, specifically newsprint, in order to create a distressed surfaces to paint on as well as a collage painting, as with Orderly Confusion or Beauty Re-defined.
The second half of last year was mostly spent focusing on developing texture using different kinds of paper since newsprint was limited to just a flat surface, then came a major break through with the painting White on White. This painting used paper grocery bags to achieve the desired texture and recaptured the desire first discovered with Symphony #3 The Nocturnal Suite, a painting that comes to life as the room light changes.
Trying to merge the concept of a canvas changing its appearance without being as overt as with White on White, while also going in two different directions, one that emulates Typography Graveyard, as well as a distinctive new look.
This has me cutting strips of Vellum Bristle drawing paper at different widths and lengths, then soaking it into a bowl of warm water, anywhere from thirty-seconds to two minutes. Once removed, excess water is wiped, then the paper is crumpled to the desired degree of texture before carefully unfolding and laying it out to dry or depending on the desired effect, applied damp to the canvas with medium gel. Just remember, one can also use a spray bottle, applying a fine mist to re-adjust a dried piece of paper into the desired position.
When applying the paper to the canvas, it is possible to blend the edges of the paper with those next to it for a smoother, almost seamless finish as pictured below.
First 20 x 20 inch unpainted canvas in this new series for 2012
After the paper pieces dry on the canvas, one can fill any gaps with regular medium gel or, depending on the desired texture, use heavy medium gel for better transition, since it will be painted over. The image below features more distinctive lines between the pieces, including a more overall rougher appearance, creating more distinctive shadows that will alter the paintings appearance with the changing room light once it is finished and displayed properly.
Second 20 x 20 inch unpainted canvas in this new series for 2012
With another four to five paintings planned, I am searching for ways to make each canvas stand out, while remaining homogenous to the series core and since I wish to build texture on texture. I am looking at including paper with a much rougher texture, one that is also softer and more applicable than the Vellum Bristle. To the rescue, egg container cartons, made from paper pulp.
Egg cartons, flattened and whole
Torn and flatten pieces of egg container cartons with a few pieces
that were flattened, soaked and air dried
I also have another piece of pre-formed paper form used in packaging I plan to use, along with purchasing pulp paper from an art store. However one must not forget that when using any wet paper products, they must be allowed to dry before sealing with medium gel, so that deterioration does not occur.
As this series continues, I continue to look at different ways to include other products into the mix of creating texture. Items as modeling paste, heavy medium gel, tissue paper and Golden Artist Colors product, fiber paste. Other items one might consider is crackle paste, fine pumice gel or for a little more texture, I have a collection of additives I have gathered and filtered for size constancy that would be mixed with medium gel before applying to the canvas.
In the coming months I will share with you further results from this series, along with other smaller projects being developed and some of the pieces completed from last year. In the meantime, I wish you all the best, including a creative and productive year.
Thank you for your visit
and comment . . .
Egmont
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